This poem has escaped from the madhouse,
pushed its handprints into wet cement.
This poem is the unwanted child
whose father tried to murder it
and whose mother is the transcendent goddess
who never spoke.
This poem is the banquet
with no main course,
the after glow of a dead star,
the boundary line that once described a house.
This poem was found on a beach
in a bottle,
written in rum and turtle blood.
This poem is a prank on its author,
played on him by his pen.
This poem should be sung from barricades
at thoughtless fascists,
daubed on prison roofs
for news choppers to broadcast.
This poem should be chewed into a wad
and used to pack a gunshot wound.
This poem should be whispered by lovers
onto each others’ engorged genitals.
This poem should be carved in enormous Braille
on the white cliffs of Dover.
This poem should be read
one hundred and fourteen times
over a period of twenty seven years
and then forgotten forever.
This poem is boring.
This poem is incandescently brilliant.
This poem is a microscopic view
of a molecule of ink.
This poem is a naval flare
sent up at the apocalypse,
illuminating the city of the dead.
This poem is a seed I am planting
in your heart that you can grow
however you like.
This poem won’t stop loving you
even if you hate it.
This poem should have contained rhyme
and rhythm
to be more easily sung by road diggers
and in church.
This poem is a long list of stupid remarks
that you should arrange
in whatever order you find most satisfying.
This poem is attempting
to shrink the distance
between you and me to zero
for one frozen, beautiful moment
of absolute sincerity and say
“I see you. I relate to you
and I feel kinship with you
and I think you are worthwhile
and beautiful and I love you”
so that for a moment
the cruel gravities of the universe
will lift from us.
This poem is a collection
of the words that lay,
on this train journey,
between me and
everything else.